A CHRONOLOGICAL VIEW OF WESTERN MUSIC HISTORY IN THE CONTEXT OF WORLD EVENTS

Joseph Schwantner

Birth icon
March 22, 1943: Joseph Schwantner is born in Chicago, Illinois, USA.
Performance icon
March 18, 1979: Sparrows for soprano and chamber ensemble by Joseph Schwantner (35) to words of Issa is performed for the first time, at the Smithsonian Institute, Washington.
Performance icon
January 15, 1983: New Morning for the World “Daybreak of Freedom” for narrator and orchestra by Joseph Schwantner (39) to words of Martin Luther King, is performed for the first time, at the Eastman School of Music, Rochester, New York.
Performance icon
April 23, 1983: Magabunda (Witchnomad) for soprano and orchestra by Joseph Schwantner (40) to words of Pizarro is performed for the first time, in St. Louis.
Performance icon
May 11, 1984: Dreamcaller for soprano, violin, and orchestra by Joseph Schwantner (41), to his own words, is performed for the first time, in Saint Paul, Minnesota.
Performance icon
March 15, 1987: Toward Light for orchestra by Joseph Schwantner (42) is performed for the first time, in Canton, Ohio.
Performance icon
July 8, 1988: Concerto for piano and orchestra by Joseph Schwantner (45) is performed for the first time, in Avery Fisher Hall, New York.
Performance icon
October 24, 1988: Several works in honor of the 50th birthday of Joan Tower are performed for the first time, in Merkin Concert Hall, New York, including For Joan on her 50th for five players by John Corigliano (50), Minuet from Short Suite for four players by John Harbison (49), and Tower Power for five players by Joseph Schwantner (45).
Performance icon
May 9, 1989: Freeflight for orchestra by Joseph Schwantner (46) is performed for the first time, in Boston.
Performance icon
April 16, 1990: A Play of Shadows for flute and chamber orchestra by Joseph Schwantner (47) is performed for the first time, in Town Hall, New York.
Performance icon
October 9, 1992: Through Interior Worlds, a ballet for orchestra by Joseph Schwantner (49), is performed for the first time, in Seattle.
Performance icon
January 6, 1995: Concerto for percussion and orchestra by Joseph Schwantner (51) is performed for the first time, in Avery Fisher Hall, New York.
Performance icon
November 24, 1995: Evening Land Symphony for soprano and orchestra by Joseph Schwantner (52) is performed for the first time, in Saint Louis.
Performance icon
September 30, 1999: Beyond Autumn for horn and orchestra by Joseph Schwantner (56) is performed for the first time, in Eugene McDermott Concert Hall, Dallas.
Performance icon
February 21, 2002: September Canticle for organ, brass, percussion, amplified piano, and strings by Joseph Schwantner (58) is performed for the first time, in Eugene McDermott Concert Hall, Dallas.
Performance icon
November 8, 2002: Angelfire for amplified violin and orchestra by Joseph Schwantner (59) is performed for the first time, in the Kennedy Center, Washington.
Performance icon
January 25, 2004: New Morning for the World for narrator and chamber orchestra by Joseph Schwantner (60), to words of Martin Luther King, Jr., is performed for the first time, in Sanders Theatre of Harvard University.
Performance icon
November 3, 2004: Recoil for wind ensemble by Joseph Schwantner (61) is performed for the first time, in Carnegie Hall, New York.
Performance icon
February 23, 2006: Morning’s Embrace for orchestra by Joseph Schwantner (62) is performed for the first time, in the Kennedy Center, Washington.
Performance icon
October 12, 2006: Rhiannon’s Blackbirds for piccolo/flute, clarinet/bass clarinet, violin/viola, cello, piano, and percussion by Joseph Schwantner (63) is performed for the first time, at the Modlin Center for the Arts of the University of Richmond, Virginia.
Performance icon
April 20, 2007: New Morning for the World for wind ensemble by Joseph Schwantner (64) is performed for the first time, in Tallahassee, Florida.
Performance icon
January 17, 2008: Silver Halo for flute quartet by Joseph Schwantner (64) is performed for the first time, in Weill Recital Hall, New York.
Performance icon
September 20, 2008: Chasing Light… for chamber orchestra by Joseph Schwantner (65) is performed for the first time, in Nightingale Concert Hall, Reno, Nevada.
Performance icon
August 15, 2009: Looking Back for flute and piano by Joseph Schwantner (66) is performed for the first time, in New York.
Performance icon
September 23, 2010: The Poet’s Hour for violins and strings by Joseph Schwantner (67) is performed for the first time, in Benaroya Hall, Seattle.
Performance icon
November 11, 2011: Concerto no.2 for percussion, timpani, and orchestra by Joseph Schwantner (68) is performed for the first time, in Hilbert Circle Theatre, Indianapolis.
Performance icon
June 6, 2012: Taking Charge for flute, piano, and percussion by Joseph Schwantner (69) is performed for the first time, in Pick-Staiger Concert Hall, Northwestern University, Evanston, Illinois.
Performance icon
June 8, 2012: Two new works for piano are performed for the first time, in the Schott Music Recital Room, London: Waltz Solemnity by Toshi Ichiyanagi (79), and Palindrome’s Dance by Joseph Schwantner (69).
Performance icon
October 21, 2012: Dream Drapery “Thoreau Songs” for voice and string quartet by Joseph Schwantner (69) is performed for the first time, in Indianapolis.
Performance icon
February 9, 2014: Chapel Music, a cycle for chorus and orchestra by Joseph Schwantner (70), to words of Yeats, Thoreau, Herbert, St. John of the Cross, and the Bible, is performed for the first time, in Alice Millar Chapel of Northwestern University, Evanston, Illinois.
Performance icon
April 24, 2015: Luminosity for wind ensemble by Joseph Schwantner (72) is performed for the first time, in Schwartz Center for the Performing Arts at Emory University, Atlanta.
Performance icon
November 30, 2017: The Awakening Hour for wind ensemble by Joseph Schwantner (74) is performed for the first time, in van der Mehden Recital Hall of the University of Connecticut, Storrs.