A CHRONOLOGICAL VIEW OF WESTERN MUSIC HISTORY IN THE CONTEXT OF WORLD EVENTS

Gérard Grisey

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June 17, 1946: Gérard Grisey is born in Belfort, Territoire de Belfort, Republic of France, the only child of working class parents.
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June 11, 1974: Périodes for seven instruments by Gérard Grisey (27) is performed for the first time, at the Villa Medici, Rome.
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October 31, 1974: Dérives for orchestra by Gérard Grisey (28) is performed for the first time, in Salle Wagram, Paris.
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March 4, 1976: Partiels for 18 musicians by Gérard Grisey (29) is performed for the first time, in Paris.
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March 9, 1978: Modulations for 33 musicians by Gérard Grisey (31) is performed for the first time, in Théâtre de la Ville, Paris.
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July 16, 1978: Prologue for viola by Gérard Grisey (32) is performed for the first time, in Darmstadt.
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October 28, 1978: Sortie vers la lumière du jour for electronic organ and 14 musicians by Gérard Grisey (32) is performed for the first time, in Donaueschingen.
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March 9, 1979: Jour, contre-jour for electronic organ, 13 musicians, and four-track tape by Gérard Grisey (32) is performed for the first time, in Maison de Radio-France, Paris.
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October 5, 1981: Transitoires for orchestra by Gérard Grisey (35) is performed for the first time, in Venice.
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October 19, 1982: Solo pour deux for clarinet and trombone by Gérard Grisey (36) is performed for the first time, in Venice.
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December 4, 1983: Tempus ex Machina for six percussionists by Gérard Grisey (37) is performed for the first time, in Brussels.
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June 16, 1984: Anubis-Nout for contrabass clarinet by Gérard Grisey is performed for the first time, in Latina, Italy, on the eve of his 38th birthday.
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June 3, 1985: Les Chantes de l’Amour for twelve voices and tape by Gérard Grisey (38) is performed for the first time, in Paris.
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September 28, 1985: Épilogue for four horns and orchestra by Gérard Grisey (39) is performed for the first time, in Venice.
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January 13, 1987: Talea for flute, clarinet, violin, cello, and piano by Gérard Grisey (40) is performed for the first time, in Maison de la Radio France, Paris.
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May 26, 1988: Accords perdus for two horns by Gérard Grisey (41) is performed for the first time, in Centre Georges-Pompidou, Paris.
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December 11, 1989: Le Temps et l’écume for four percussionists, two synthesizers, and chamber orchestra by Gérard Grisey (43) is performed for the first time, in Maison de Radio-France, Paris.
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May 22, 1990: Anubis et Nout for bass or baritone saxophone by Gérard Grisey (43) is performed for the first time, in Turin.
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March 16, 1991: Le Noir de l’Étoile for six percussionists, tape, and astronomical signals by Gérard Grisey (44) is performed for the first time, in Brussels.
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January 18, 1996: L’Icône paradoxale for two female voices and orchestra by Gérard Grisey (49) to words of Piero della Francesca, is performed for the first time, in Los Angeles.
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April 26, 1996: Vortex Temporum I, II, III for piano, flute, clarinet, violin, viola, and cello by Gérard Grisey (49) is performed for the first time, in Witten.
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November 11, 1998: Gérard Grisey dies of a ruptured aneurysm in a hospital in Paris, Republic of France, aged 52 years, four months, and 25 days.
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February 3, 1999: Quatre chants pour franchir le seuil for soprano and 15 instruments by Gérard Grisey (†0) is performed for the first time, in London.
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April 3, 2001: Prologue for viola by Gérard Grisey (†2) is performed for the first time, in Paris.