May 7, 1833:
Johannes Brahms is born in an apartment at 60 Speckerstraße in the Free City of Hamburg, second of three children born to Johann Jakob Brahms, a professional musician, and Johanna Henrika Christiane Nissen, a seamstress, the daughter of a tailor.
May 26, 1833:
Johannes Brahms (†0) is christened in St. Michael’s Church, Hamburg.
November 20, 1847:
Johannes Brahms (14) makes his first public appearance as a pianist in a concert by the violinist Birgfeld. He plays music of Sigismond Thalberg (35).
March 11, 1848:
Johannes Brahms (14) hears Joseph Joachim (17) play for the first time, in Hamburg. The prodigious violinist performs Beethoven’s (†20) Violin Concerto. Brahms is enthralled by the music and the performer.
September 21, 1848:
Johannes Brahms (15) gives his first solo piano performance, in Hamburg. He plays music of JS Bach (†98), Rossini (56), Henri Herz (45), and Jacob Rosenhain. Owing to so much news of revolution, and a cholera epidemic, no review of the concert is printed.
April 14, 1849:
Johannes Brahms (15) gives a second piano recital, in Hamburg playing music of Beethoven (†22), Thalberg (37), and himself. It earns him his first notices—favorable ones.
March 16, 1850:
Robert Schumann (39) conducts his Genoveva Overture and Clara Schumann (30) plays Robert’s Piano Concerto in Hamburg. It is highly likely that Johannes Brahms (16) attends this concert.
August 14, 1850:
Johannes Brahms (17) meets the young Hungarian violinist Eduard Reményi in Hamburg.
April 19, 1853:
Hoping to attract the attention of influential musicians, and a little money, Johannes Brahms (19) and his violinist friend Eduard Hoffmann (Reményi) set out from Hamburg on a concert tour of nearby cities.
May 2, 1853:
At a performance in the Wierss’schen Room, Celle, Johannes Brahms (19), finding the piano a half-step low, transposes the entire program up a half-step rather than have his violinist, Eduard Reményi, tune down.
June 8, 1853:
Scherzo in e flat minor op.4 for piano solo by Johannes Brahms (20) is performed for the first time, at the court of Hannover, by the composer from manuscript. King Georg V pronounces him “little Beethoven.”
June 15, 1853:
On a day of celebration for the silver jubilee of the reign of Grand Duke Carl Friedrich, Johannes Brahms (20) meets Franz Liszt (41) and Peter Cornelius (28) at Altenburg, the mansion of Princess Carolyne Sayn-Wittgenstein in Weimar. Brahms is too nervous to play any of his music so Liszt reads the e flat minor scherzo from manuscript. Liszt comments as he plays. Brahms is overwhelmed, but later appears to doze while Liszt plays his own works.
August 27, 1853:
Johannes Brahms (20) begins a walking tour from Mainz down the Rhine.
September 5, 1853:
Johannes Brahms (20) arrives in Bonn having hiked about 150 km down the Rhine from Mainz in ten days.
September 30, 1853:
Johannes Brahms (20) arrives at the door of Robert Schumann (43) in Düsseldorf, but is informed by twelve-year old Marie Schumann that her parents are not at home. She suggests he return tomorrow.
October 1, 1853:
The Schumann family is visited in Düsseldorf by a young friend of Joseph Joachim, Johannes Brahms (20). Brahms plays extensively for them, astounding his hosts. Robert Schumann (43) records in his diary, “Visit from Brahms, a genius.” Brahms will appear in Schumann’s diary almost every day for the next month.
October 28, 1853:
Robert Schumann’s (43) article “Neue Bahnen,” extolling the virtues of the unheralded Johannes Brahms (20) appears in the Neue Zeitschrift für Musik saying “Brahms is one of the elect.”
October 28, 1853:
At the Schumann home in Düsseldorf, Joseph Joachim and Clara Schumann (34) perform a violin sonata written by Albert Dietrich (first movement), Johannes Brahms (20) (scherzo) and Robert Schumann (43) (intermezzo and finale).
November 2, 1853:
Johannes Brahms (20) departs Düsseldorf with recommendations from Robert Schumann (43), making for Leipzig.
November 5, 1853:
Joseph Joachim and Johannes Brahms (20) go to a morning rehearsal in Hannover where Hector Berlioz (49) is preparing for an upcoming concert. Brahms and Berlioz meet for the first time.
November 16, 1853:
In Hannover, Johannes Brahms (20) writes to Robert Schumann (43) thanking him for the glowing article of 28 October.
November 17, 1853:
Johannes Brahms (20) arrives in Leipzig to find a city atwitter about the new genius trumpeted in Schumann’s (43) article “Neue Bahnen.”
November 19, 1853:
In Leipzig, Raymund and Hermann Härtel hear Johannes Brahms (20) play his Piano Sonata op.1 and the Scherzo in e flat minor op.4, as well as some of his songs. They immediately offer to publish his first four opus numbers.
November 28, 1853:
The first of two performances by Hector Berlioz (49) in Hannover takes place. At the first rehearsal, Joseph Joachim, who played Harold in Italy on 22 November in Bremen, introduces Berlioz to his friend, Johannes Brahms (20).
December 1, 1853:
La fuite en Egypte, a mystère ancien for tenor, chorus, and orchestra by Hector Berlioz (49) to his own words, is performed completely for the first time, in Leipzig conducted by the composer. Of all the cities he performs in during this tour, Leipzig gives Berlioz’ music the coolest reception. In the audience are Franz Liszt (42) and Peter Cornelius (28). After the performance, these and other musicians take Berlioz to a restaurant to cheer him up. They are soon joined by Johannes Brahms (20) who just arrived in the city after the concert. See 12 November 1850 and 30 May 1853.
December 4, 1853:
In Leipzig, Franz Brendel, editor of the Neue Zeitschrift für Musik, gives a reception during which Johannes Brahms (20) plays his Piano Sonata in C and Scherzo in e flat minor. Hector Berlioz (49) is present and is effusive in his praise.
December 10, 1853:
Hector Berlioz gives one of many very successful concerts at the Leipzig Gewandhaus. A reception hosted by Franz Liszt (42) after the performance includes Johannes Brahms (20), Peter Cornelius (28), Ferdinand David, and several other eminent musicians. The Pauliner Singers serenade him beneath his hotel window. Tomorrow is his 50th birthday.
December 17, 1853:
Piano Sonata no.1 op.1 by Johannes Brahms (20) is performed publicly for the first time, in the Leipzig Gewandhaus by the composer. The work, and Brahms (in his first Leipzig performance) are well received.
January 3, 1854:
Johannes Brahms (20) meets Hans von Bülow for the first time, in Hannover.
January 18, 1854:
Robert (43) and Clara (34) Schumann leave Düsseldorf for Hannover to give concerts and visit Johannes Brahms (20) and Joseph Joachim. It is their last trip together.
March 3, 1854:
After hearing of Robert Schumann’s (43) condition, Johannes Brahms (20) moves to Düsseldorf to aid Clara (34).
October 23, 1854:
The second and third movements of the Piano Sonata no.3 op.5 of Johannes Brahms (21) are performed for the first time, in Leipzig.
December 24, 1854:
Joseph Joachim visits Robert Schumann (44) at the insane asylum near Bonn. He is heartened by what he finds and rushes to Düsseldorf to tell the good news to Clara Schumann (35) and Johannes Brahms (21).
January 11, 1855:
Johannes Brahms (21) makes his first visit to the insane asylum near Bonn where he finds Robert Schumann (44) in good spirits. Doctors still refuse admittance to Clara Schumann (35).
February 24, 1855:
Johannes Brahms (21) visits Robert Schumann (44) in the insane asylum near Bonn. They talk, and Schumann tells Brahms that he is writing music.
May 7, 1855:
Clara Schumann (35) presents Johannes Brahms with a Romance in b minor for his 22nd birthday.
October 13, 1855:
Trio for piano and strings no.1 op.8 by Johannes Brahms (22) is performed for the first time, in Danzig (Gdansk).
October 29, 1855:
Two gavottes for piano WoO 3 posth. by Johannes Brahms (22) are performed for the first time, in Göttingen, by Clara Schumann (36).
November 12, 1855:
Anklänge op.7/3, a song by Johannes Brahms (22) to words of Eichendorff, is performed for the first time, in Göttingen.
November 14, 1855:
Sarabande in a minor WoO 5/1 posth. for piano by Johannes Brahms (22) is performed for the first time, in Danzig (Gdansk), by the composer.
January 20, 1856:
Sarabande in b minor for piano solo WoO 5/2 by Johannes Brahms (22) is performed for the first time, in Vienna.
July 28, 1856:
Clara Schumann (36) and Johannes Brahms (23) begin a constant vigil outside the room of Robert Schumann (46) in Endenich. “He smiled, and put his arm round me with a great effort, for he can no longer control his limbs. I shall never forget it. Not all the treasures in the world could equal this embrace.”
July 31, 1856:
19:00 The mortal remains of Robert Schumann are laid to rest in the Alter Friedhof, Bonn in the presence of family members, Johannes Brahms (23), and Joseph Joachim, but without great ceremony. Clara Schumann (36) does not accompany the coffin to the cemetery, remaining in the chapel, weeping and praying. As the small funeral procession winds through Bonn, ordinary citizens stream towards the street. The poet Klaus Groth will remember, “…it was as if the people of Bonn, quite suddenly and involuntarily, had felt the message run through their minds that one of the noblest of Germans was on his last journey.”
February 18, 1857:
Liebestreu op.3/1, a song by Johannes Brahms (23) to words of Reinick, is performed for the first time, in Göttingen.
May 31, 1857:
Johannes Brahms (24) goes to Detmold on an invitation to perform at the court of Prince Leopold III of Lippe. He will gain a court position here, as court pianist, giving lessons to royal children, and directing an amateur choral society.
March 30, 1858:
Joseph Joachim and his Hannover orchestra run through the Piano Concerto no.1 of Johannes Brahms (24), the composer at the piano, at a private rehearsal in Hannover.
August 8, 1858:
Ferdinand Hiller writes to Johannes Brahms (25), offering him a position teaching piano at the Paris Conservatoire. He will decline.
January 22, 1859:
Piano Concerto no.1 by Johannes Brahms (25) is performed publicly for the first time, in the Royal Theatre, Hannover, the composer at the piano, Joseph Joachim conducting. The public and critical reaction is polite but confused.
January 27, 1859:
Johannes Brahms (25) plays his First Piano Concerto for the second time, before a full house in Leipzig. At the conclusion, three people applaud. Many hisses are heard.
March 28, 1859:
Serenade in D op.11 by Johannes Brahms (25) is performed for the first time, in the version for small orchestra, in the Wörmerscher Saal, Hamburg. See 3 March 1860.
June 6, 1859:
28 women gather at the home of one of them in Hamburg. They are from the vocal academy of Carl Grädener and have assembled at the request of Grädener’s friend, Johannes Brahms (26). Brahms wants to run through some works involving women’s voices that he recently composed. They rehearse Ave Maria op.12, O bone Jesu op.37/1, and Adoramus te op.37/2. There are two subsequent rehearsals, much to the delight of the women. These will turn into a regular weekly rehearsal, beginning the Hamburg Frauenchor, directed by Brahms.
September 19, 1859:
Four choral works by Johannes Brahms (26) are performed for the first time, in St. Peter’s Church, Hamburg, directed by the composer: Psalm 13 op.27 for female chorus, organ, and strings ad. lib., O bone Jesu op.37/1 and Adoramus te, Christe op.37/2, both for chorus, and the Ave Maria for female chorus and organ. See 2 December 1859.
December 2, 1859:
Begräbnisgesang op.13 for chorus, winds, and timpani to words of Weisse and a setting of Ave Maria op.12 for female chorus and orchestra by Johannes Brahms (26) are performed for the first time, in the Wörmerscher Saal, Hamburg, conducted by the composer.
February 10, 1860:
Johannes Brahms’ (26) Serenade no.2 for orchestra is performed for the first time, in the Wörmerscher Saal, Hamburg. The composer conducts from manuscript. The composer’s father is among the double bass players.
March 3, 1860:
Serenade no.1, in the setting for full orchestra by Johannes Brahms (26), is performed for the first time, in the Concert Hall of the Royal Theatre, Hannover. Reviews are mixed. See 28 March 1859.
March 21, 1860:
Ballades op.10/2-3 for piano by Johannes Brahms (26) are performed for the first time, in Vienna by Clara Schumann (40).
May 4, 1860:
A statement appears in the Neue Zeitschrift für Musik mocking the letter from Brahms (26) and Joachim which will appear two days from today. It is written by Carl Friedrich Weitzmann.
May 6, 1860:
A declaration appears in the Berliner Musik-Zeitung Echo signed by Johannes Brahms (26), Joseph Joachim, Julius Otto Grimm and Bernhard Scholz attacking Wagner’s (46) ideals and the Music of the Future. It says in part, “The undersigned...declare that…they can only deplore and condemn as contrary to the most fundamental essence of music the productions of the leaders and disciples of the so-called New German School, some of whom put these principles into practice, while others keep trying to impose the establishment of more and more novel and preposterous theories.” (Frisch and Karnes, 111) Unfortunately for the signers, this declaration has already been leaked and parodied in the Neue Zeitschrift für Musik.
September 14, 1860:
Separated from his mistress, Princess Carolyne Sayn-Wittgenstein, distressed by the death of his son, troubled by the letter from Brahms (27), Joachim, Grimm, and Scholz printed in the Berlin Echo protesting the new German School, Franz Liszt (48) pens his first will.
October 20, 1860:
String Sextet no.1 by Johannes Brahms (27) is performed for the first time, in the Saal des Museums, Hannover.
January 15, 1861:
The first two of the Twelve Songs and Romances op.44 for unaccompanied chorus by Johannes Brahms (27) are performed for the first time, in Hamburg: Der Holdseligen sonder Wank, to words of Voss, and Von allen Bergen nieder, to words of Eichendorff. Brahms’ Songs for female chorus, two horns, and harp op.17 are performed completely for the first time, conducted by the composer. This is part of a joint concert by Brahms, Joseph Joachim, and Clara Schumann (41) which includes Beethoven’s (†33) Kreutzer Sonata and Robert Schumann’s (†4) Variations for two pianos op.46.
November 4, 1861:
Johannes Brahms’ (28) work for solo piano, Variations and Fugue on a Theme by Handel op.24, is performed for the first time, privately by the composer, at the Hamburg home of Hermann Wagner. See 7 December 1861.
November 16, 1861:
Quartet for piano and strings no.1 by Johannes Brahms (28) is performed for the first time, in the Kleiner Wörmescher Saal, Hamburg. Clara Schumann (42) performs the piano part.
December 3, 1861:
Clara Schumann (42) performs Johannes Brahms’ (28) Piano Concerto no.1 in Hamburg, conducted by the composer. She writes, “The public understood nothing and felt nothing.”
December 7, 1861:
Johannes Brahms’ (28) work for solo piano, Variations and Fugue on a Theme by Handel op.24, is performed publicly for the first time, in Hamburg, by Clara Schumann (42) from manuscript. See 4 November 1861.
April 4, 1862:
Three songs by Johannes Brahms (28) are performed for the first time, in Hamburg: Vor dem Fenster op.14/1 and Ein Sonnett op.14/4, to anonymous words, and Keinen hat es noch gereut op.33/1 to words of Tieck.
September 8, 1862:
Johannes Brahms (29) leaves Hamburg for Vienna. He plans to return if he is offered the position of conductor of the Hamburg Philharmonic Society. However, he will never live in his native city again.
November 9, 1862:
Nachtigallen schwingen lustig op.6/6, a song by Johannes Brahms (29) to words of von Fallersleben, is performed for the first time, in the Basel Casino.
November 16, 1862:
Johannes Brahms (29) gives his first concert in Vienna, in the Gesellschaft der Musikfreunde Vereinsaal. He plays the piano part in his Quartet for piano and strings no.1 op.25. It is a great popular and critical success, focusing attention on the newly arrived composer.
November 29, 1862:
Quartet for piano and strings no.2 by Johannes Brahms (29) is performed for the first time, in the Musikverein, Vienna, the composer at the keyboard in his first solo concert in the city. The positive reviews create a reputation for Brahms in Vienna.
January 6, 1863:
Piano Sonata no.3 by Johannes Brahms (29) is performed in Vienna by the composer. The critic Eduard Hanslick remarks, “it belongs to the most inward experiences that recent piano music has to offer.” In the audience is Richard Wagner (49) who is in Vienna trying to get Tristan und Isolde performed. Also premiered are Brahms’ songs Jucche! op.6/4 to words of Reinick, Treue Liebe op.7/1 to words of Ferrand, and Parole op.7/2 to words of Eichendorff.
May 1, 1863:
Johannes Brahms (29) departs Vienna making for Hamburg after a stay of nine months.
September 28, 1863:
Johannes Brahms (30) conducts his first rehearsal with the Vienna Singakademie.
November 15, 1863:
The Vienna Singakademie gives its first concert under the direction of Johannes Brahms (30). The eclectic program includes Viennese premieres of the Cantata no.21 of Johann Sebastian Bach (†113), Requiem für Mignon by Robert Schumann (†7) as well as works by Isaac (†346) and Beethoven (†36) and folksong arrangements. It is well received.
December 5, 1863:
Der Jäger op.22/4 for unaccompanied chorus by Johannes Brahms (30) to traditional German words is performed for the first time, in Hannover.
December 18, 1863:
Three works of vocal chamber music by Johannes Brahms (30) are performed for the first time, in Vienna: Wechsellied zum Tanz op.31/1 for vocal quartet to words of Goethe, Die Nonne und der Ritter op.28/1 for alto, baritone and piano to words of Eichendorff, and Vor der Tür op.28/2 for alto, baritone and piano to words of an old German poet translated by Wenzig.
January 11, 1864:
Neckereien op.31/2 for vocal quartet by Johannes Brahms (30) to anonymous words is performed for the first time, in Vienna conducted by the composer.
February 6, 1864:
The men who will tower over the two opposing forces of German art music for the rest of the century, Richard Wagner (50) and Johannes Brahms (30), meet for the first and last time at the home of Baron von Voclow in Penzing, near Schönbrunn. Since late 1862, Brahms has been involved in organizing Wagner’s concerts in Vienna. Brahms performs his Handel Variations prompting Wagner to remark, “It shows what can still be done with the old forms by somebody who knows how to handle them.”
March 10, 1864:
One of the Three Duets op.20 for soprano, alto, and piano by Johannes Brahms (30) is performed for the first time, in Lucerne.
April 17, 1864:
A concert of the Wiener Singakademie conducted by Johannes Brahms (30) in the Musikverein, Vienna of his own music meets with only limited success. Among the works premiered are the Sonata for Two Pianos op.34b and four works for unaccompanied chorus: Marias Kirchgang op.22/2 and Ruf zur Maria op.22/5, both to traditional German words, the motet Es is das Heil uns Kommen her op.29/1 to words of Speratus, and Abendständchen op.42/1 to words of Brentano.
November 2, 1864:
Sind es Schmerzen, sind es Freuden op.33/3, a song by Johannes Brahms (31) to words of Tieck, is performed for the first time, in Karlsruhe.
February 4, 1865:
Johannes Brahms (31) arrives in Hamburg from Vienna to attend his ailing mother but she died two days ago.
February 8, 1865:
Clara Schumann (45) writes to Johannes Brahms (31) that she has undergone treatment for an injury to her right hand. The treatment requires the hand to be plunged into the carcass of a recently slaughtered animal.
June 6, 1865:
Traun! Bogen und Pfeil sind gut für den Feind op.33/2, a song by Johannes Brahms (32) to words of Tieck, is performed for the first time, in Cologne.
July 2, 1865:
Geistliches Lied op.30 for chorus and organ by Johannes Brahms (32) to words of Flemming is performed for the first time, in Chemnitz.
November 3, 1865:
Der Gang zum Liebchen op.31/3 for vocal quartet and piano by Johannes Brahms (32) to anonymous words translated by Wenzig is performed for the first time, in Karlsruhe.
November 17, 1865:
Variations on an Original Theme op.21/1 for piano by Johannes Brahms (32) is performed for the first time, in Frankfurt-am-Main.
November 25, 1865:
Variations on a Theme by Paganini op.35 for piano by Johannes Brahms (32) is performed for the first time, in Zürich, by the composer from his manuscript.
November 28, 1865:
Trio in E flat for violin, french horn, and piano op.40 by Johannes Brahms (32) is performed for the first time, in the Zürich Casino, the composer at the keyboard.
April 10, 1866:
Lindes Rauschen in Wipfeln op.3/6, a song by Johannes Brahms (32) to words of Eichendorff, is performed for the first time, in Vienna.
June 22, 1866:
Quintet for piano and strings op.34 by Johannes Brahms (33) is performed for the first time, in Leipzig.
November 1, 1866:
Sextet for Strings no.2 op.36 by Johannes Brahms (33) is performed for the first time, in Boston.
November 20, 1866:
Sextet for Strings no.2 op.36 by Johannes Brahms (33) is performed in Europe for the first time, in Zürich.
November 23, 1866:
The Waltzes op.39 for piano four hands by Johannes Brahms (33) are performed for the first time, in Oldenburg, by Clara Schumann (47) and Albert Dietrich. See 17 March 1867 and 15 November 1868.
March 17, 1867:
Five of the waltzes op.39 by Johannes Brahms (33) arranged for two pianos are performed for the first time, in the Redoutensaal Vienna. See 23 November 1866 and 16 November 1868.
April 7, 1867:
An die Heimat op.64/1 for vocal quartet and piano by Johannes Brahms (33) is performed for the first time, in Vienna.
November 23, 1867:
Ballades op.10/1&4 for piano by Johannes Brahms (34) are performed for the first time, in Vienna.
November 27, 1867:
Marschieren op.41/4 for unaccompanied chorus by Johannes Brahms (34) to words of Lemcke is performed for the first time, in Vienna.
December 1, 1867:
Three movements from Ein deutsches Requiem by Johannes Brahms (34) are performed for the first time, in the Großer Redoutensaal, Vienna. See 18 February 1869. The performance is less than perfect and a few hisses are heard but the composer is loudly applauded and called on stage.
December 7, 1867:
Liebe kam aus fernen Landen op.33/4, a song by Johannes Brahms (34) to words of Tieck, is performed for the first time, in Leipzig.
December 21, 1867:
Wehe, so willst du mich wieder op.32/5, a song by Johannes Brahms (34) to words of Platen, is performed for the first time, in Vienna.
March 7, 1868:
So willst du des Armen op.33/5, a song by Johannes Brahms (34) to words of Tieck, is performed for the first time, in Berlin.
March 11, 1868:
Two songs by Johannes Brahms (34) are performed for the first time, in Hamburg, the composer at the piano: Von ewiger liebe op.43/1 to traditional words, and Die Mainacht op.43/2 to words of Hölty.
April 10, 1868:
Movements from Ein deutsches Requiem by Johannes Brahms (34) are performed in Bremen Cathedral conducted by the composer. Sections 4, 6 and 7 are heard for the first time. Many eminent musicians from around Europe attend including Clara Schumann (48), Joseph Joachim, and Max Bruch. The performance is a universal success. See 18 February 1869.
April 30, 1868:
Johannes Brahms (34) writes to his father giving up his space in Hamburg, thus becoming a full-time resident of Vienna.
November 1, 1868:
Books 1 and 2 of the Hungarian Dances WoO1 for piano four hands by Johannes Brahms (35) are performed for the first time, in Oldenburg, by the composer and Clara Schumann (49).
November 11, 1868:
Gavotte in A for piano by Johannes Brahms (35) is performed for the first time, in Hamburg.
November 15, 1868:
Some of the sixteen waltzes for piano op.39 by Johannes Brahms (35) are performed for the first time in the two-hand version, by the composer, in Hamburg. See 23 November 1866 and 17 March 1867.
February 18, 1869:
Ein deutsches Requiem for soprano, baritone, chorus, orchestra, and organ by Johannes Brahms (35) to words from the German Bible of Martin Luther is performed completely for the first time, in the Gewandhaus, Leipzig.
February 28, 1869:
Johannes Brahms’ (35) cantata Rinaldo to words of Goethe is performed for the first time, in the Großer Redoutensaal, Vienna, conducted by the composer.
March 4, 1869:
Two songs for female chorus and piano from op.44 by Johannes Brahms (35) are performed for the first time, in Basel. They are Fragen op.44/4 to traditional Slavonic words translated by Grün, and Und gehst du über den Kirchhof op.44/10, to words of Heyse.
March 5, 1869:
Two works for alto, baritone and piano by Johannes Brahms (35) are performed for the first time, in Vienna: Es rauscht das Wasser op.28/3 to words of Goethe, and Der Jäger und sein Liebchen op.28/4 to words of Hoffmann von Fallersleben.
October 6, 1869:
Ten of the Liebeslieder Waltzes op.52 for vocal quartet and piano four hands by Johannes Brahms (36) are performed for the first time, in Karlsruhe. See 5 January 1870.
December 22, 1869:
Three songs by Johannes Brahms (36) are performed for the first time, in Vienna: Wie bist du, meine Königin op.32/9, to words of Hafis, Am Sonntag Morgen zierlich angetan op.49/1, and Wiegenlied op.49/4.
January 5, 1870:
The Liebeslieder waltzes op.52 for vocal quartet and piano-four hands by Johannes Brahms (36) to words of Daumer are performed completely for the first time, in the Kleiner Redoutensaal, Vienna, the composer and Clara Schumann (50) at the piano. See 6 October 1869, 19 March 1870, and 14 November 1874.
January 19, 1870:
Sehnsucht op.49/3, a song by Johannes Brahms (36) to traditional words, is performed for the first time, in Vienna.
March 3, 1870:
Rhapsody for alto, male chorus, and orchestra op.53 by Johannes Brahms (36) to words of Goethe is performed for the first time, in the Rosensaal, Jena. The soloist is Pauline Viardot (48).
March 19, 1870:
The Liebeslieder Waltzes op.52 by Johannes Brahms (36) are performed for the first time in the setting for voices and orchestra, in Berlin. See 5 January 1870 and 14 November 1874.
June 26, 1870:
Die Walküre, a music-drama by Richard Wagner (57) to his own words, is performed for the first time, against the composer’s wishes, in the Königliches Hof-und Nationaltheater, Munich. Among the audience are Johannes Brahms (37), Camille Saint-Saëns (34), and Henri Duparc (22). See 14 August 1876.
November 12, 1870:
Two songs by Johannes Brahms (37) are performed for the first time, in Vienna: Die Trauernde op.7/5, and Sehnsucht op.14/8, both to traditional words.
January 6, 1871:
Botschaft op.47/1, a song by Johannes Brahms (37) to words of Hafis, is performed for the first time, in Vienna.
January 14, 1871:
Sonata for cello and piano no.1 op.38 by Johannes Brahms (37) is performed for the first time, in the Gewandhaus, Leipzig.
February 2, 1871:
Muss es eine Trennung geben op.33/12, a song by Johannes Brahms (37) to words of Tieck, is performed for the first time, in Leipzig.
April 7, 1871:
On Good Friday in Bremen Cathedral, Johannes Brahms (37) conducts a complete performance of Ein deutsches Requiem and the premiere of the first part of Triumphlied for baritone, chorus, and orchestra to words from the Bible. The music is dedicated in mourning and triumph following the Franco-Prussian War.
September 13, 1871:
At a gathering in Baden-Baden to celebrate the 52nd birthday of Clara Schumann and her 31st wedding anniversary, Johannes Brahms (38) presents her with the autograph manuscript of his Capriccio op.76/1.
October 18, 1871:
Schicksalslied for chorus and orchestra by Johannes Brahms (38) to words of Hölderlin is performed for the first time, in Karlsruhe, conducted by the composer from manuscript. Among the audience is Clara Schumann (52).
October 24, 1871:
An ein Veilchen op.49/2, a song by Johannes Brahms (38) to words of Zappi, is performed for the first time, in Leipzig.
November 27, 1871:
Johannes Brahms (38) is offered the position of director of the Gesellschaft der Musikfreunde in Vienna. He will accept.
December 3, 1871:
Volkslied op.7/4, a song by Johannes Brahms (38) to traditional words, is performed for the first time, in Vienna.
December 8, 1871:
Two of the lieder op.41 for unaccompanied chorus by Johannes Brahms (38) are performed for the first time, in Vienna: Ich schwing mein Horn ins Jammertal to anonymous old German words, and Gebt acht! Gebt acht! to words of Lemcke.
January 27, 1872:
Two songs by Johannes Brahms (38) are performed for the first time, in Vienna: Blinde Kuh op.58/1 to Italian words translated by Kopisch, and Während des Regens op.58/2 to words of Kopisch.
March 11, 1872:
Two songs by Johannes Brahms (38) are performed for the first time, in Vienna: Nicht mehr zu dir zu gehen op.32/2 to traditional words, and Ich schleich umher op.32/3 to words of Platen.
June 5, 1872:
Triumphlied for baritone, chorus, and orchestra by Johannes Brahms (39) to words from the Bible is performed completely for the first time, in the Karlsruhe Hoftheater. It is spectacularly successful. Clara Schumann (52), who is present, writes that it is “certainly the deepest and grandest piece of church music since Bach.”
October 1, 1872:
Johannes Brahms (39) enters upon duties as director of the Gesellschaft der Musikfreunde in Vienna.
October 31, 1872:
Mondnacht WoO21, a song by Johannes Brahms (39) to words of Eichendorff, is performed for the first time, in Leipzig.
November 10, 1872:
Johannes Brahms (39) conducts his first performance with the Vienna Gesellschaftskonzerte, beginning a championing of the music of JS Bach (†122) and GF Handel (†113). The organist is Anton Bruckner (48). His interest in Baroque music is not shared by his audience.
November 27, 1872:
Von waldbekränzter Höhe op.57/1, a song by Johannes Brahms (39) to words of Daumer, is performed for the first time, in Vienna.
December 18, 1872:
Seven of the songs op.57/2-8 by Johannes Brahms (39) to words and translations by Daumer, are performed for the first time, in Vienna.
January 28, 1873:
Der Gang zum Liebchen op.48/1, a song by Johannes Brahms (39) to traditional words, is performed for the first time, in Vienna.
February 8, 1873:
Johannes Brahms (39) conducts the Vienna premiere of Saul by George Frideric Handel (†113), with cuts.
April 16, 1873:
A fugue in ab minor for organ by Johannes Brahms (39) is performed for the first time, in Leipzig.
October 18, 1873:
String Quartet no.2 op.51/2 by Johannes Brahms (40) is performed for the first time, in the Berlin Singakademie.
November 2, 1873:
Variations on a Theme by Joseph Haydn op.56a for orchestra by Johannes Brahms (40) is performed for the first time, in the Großer Saal der Gesellschaft der Musikfreunde, Vienna, conducted by the composer. It is very successful.
November 8, 1873:
Barcarole op.44/3 for chorus by Johannes Brahms (40) to traditional Italian words translated by Witte is performed for the first time, in Hamburg.
December 1, 1873:
Der englische Gruss op.22/1 for unaccompanied chorus by Johannes Brahms (40) to traditional German words is performed for the first time, in Munich.
December 5, 1873:
Four songs by Johannes Brahms (40) are performed for the first time, in Frankfurt: Ruhe, Süssliebchen op.33/9 to words of Tieck, Die Kränze op.46/1 to ancient Greek words, Auf dem See op.59/1 to words of Simrock, and Das Lied vom Hern von Falkenstein op.43/4 to traditional words.
December 11, 1873:
String Quartet no.1 op.51/1 by Johannes Brahms (40) is performed for the first time, in the Musikverein, Vienna.
December 22, 1873:
Five Songs (Ophelia-Lieder) WoO 22 for voice and piano by Johannes Brahms (40) to words of Shakespeare (tr.Schlegel), are performed for the first time, in Prague.
January 1, 1874:
King Ludwig II of Bavaria confers on Johannes Brahms (40) the Order of Maximilian.
January 11, 1874:
Franz Liszt (62) performs in Vienna for the first time as a pianist in over 30 years. It is also the first time he appears on the same stage with Johannes Brahms (40).
January 15, 1874:
Wie froh und frisch op.33/14, a song by Johannes Brahms (40) to words of Tieck, is performed for the first time, in Leipzig.
January 30, 1874:
Du sprichst, dass ich mich täuschte op.32/6, a song by Johannes Brahms (40) to words of Platen, is performed for the first time, in Leipzig.
February 1, 1874:
Darthulas Grabesgesang op.42/3 for chorus by Johannes Brahms (40) to words of Ossian (tr. Herder) is performed for the first time, in Munich.
February 5, 1874:
Three Hungarian Dances for orchestra WoO1 by Johannes Brahms (40) is performed for the first time, in Leipzig.
February 10, 1874:
Variations on a Theme by Joseph Haydn op.56b for two pianos by Johannes Brahms (40) is performed for the first time, in Vienna.
March 5, 1874:
Eine gute, gute Nacht op.59/6, a song by Johannes Brahms (40) to Russian words translated by Daumer, is performed for the first time, in Vienna.
March 14, 1874:
Sulima op.33/13, a song by Johannes Brahms (40) to words of Tieck, is performed for the first time, in Vienna.
March 25, 1874:
Variations on a Hungarian Song op.21/2 for piano by Johannes Brahms (40) is performed for the first time, in London.
April 9, 1874:
The German Academy of Arts and Sciences elects Johannes Brahms (40) an honorary member, apparently without asking him.
May 6, 1874:
O komme, holde Sommernacht op.58/4, a song by Johannes Brahms to words of Grohe, is performed for the first time, in Munich, on the eve of the composer’s 41st birthday.
May 13, 1874:
Marias Wallfahrt op.22/3 for unaccompanied chorus by Johannes Brahms (41) to traditional German words is performed for the first time, in Leipzig.
May 14, 1874:
Serenade op.58/8, a song by Johannes Brahms (41) to words of Schack, is performed for the first time, in Vienna.
November 8, 1874:
Three of the seven songs for chorus op.62 by Johannes Brahms (41) to words of Heyse are performed for the first time, in Vienna: Von altern Liebesliedern, Waldesnacht, and Dein Herzlein mild.
November 14, 1874:
18 Liebeslieder Waltzes op.52a by Johannes Brahms (41) are performed for the first time, in Vienna in a setting for piano four hands. See 5 January 1870 and 19 March 1870.
December 1, 1874:
An die nachtigall op.46/4, a song by Johannes Brahms (41) to words of Hölty, is performed for the first time, in Leipzig.
December 16, 1874:
Four songs by Johannes Brahms (41) are performed for the first time, in Munich: Junge Lieder, I&II to words of F. Schumann, and Heimweh I&II to words of Groth.
January 8, 1875:
A third setting of Heimweh, a song by Johannes Brahms (41) to words of Groth, is performed for the first time, in Hamburg.
January 31, 1875:
Frühlingstrost op.63/1, a song by Johannes Brahms (41) to words of von Schenkendorf, is performed for the first time, in Vienna.
February 13, 1875:
Fragen op.64/3 for vocal quartet and piano by Johannes Brahms (41) to anonymous Turkish words translated by Daumer is performed for the first time, in Mannheim.
February 24, 1875:
Der Abend op.64/2, a vocal quartet by Johannes Brahms (41) to words of Schiller, is performed for the first time, in Vienna.
April 2, 1875:
Agnes op.59/5, a song by Johannes Brahms (41) to words of Mörike, is performed for the first time, in Hamburg.
April 18, 1875:
Johannes Brahms (41) conducts his last concert with the Vienna Gesellschaftskonzerte, claiming personal differences with advisory board member Johann Herbeck. Brahms will never have a steady job again.
May 8, 1875:
15 Neue Liebeslieder Waltzes op.65 arranged for vocal quartet and piano-four hands by Johannes Brahms (42) to words of Daumer is performed for the first time, in the Museumsaal, Karlsruhe.
November 18, 1875:
Quartet for piano and strings no.3 op.60 by Johannes Brahms (42) is performed for the first time, in the Musikverein, Vienna, the composer at the keyboard.
May 28, 1876:
At the request of the composer, presently in Vienna, Julius Stockhausen sings from manuscript two new songs by Johannes Brahms (43) for Clara Schumann (56) at her home in Berlin: Alte Liebe, to words of Candidus, and Unüberwindlich, to words of Goethe.
October 30, 1876:
String Quartet no.3 by Johannes Brahms (43) is performed for the first time, in the Berlin Singakademie.
November 4, 1876:
Symphony no.1 by Johannes Brahms (43) is performed for the first time, in the Grand Ducal Theatre, Karlsruhe. It is very well received.
January 4, 1877:
Es geht ein Wehen op.62/6 for unaccompanied chorus by Johannes Brahms (43) to words of Heyse is performed for the first time, in Munich.
January 18, 1877:
Wie soll ich die Freude op.33/6, a song by Johannes Brahms (43) to words of Tieck, is performed for the first time, in Leipzig, the composer at the keyboard.
May 6, 1877:
Erinnerung op.63/2, a song by Johannes Brahms to words of Schenkendorf, is performed for the first time, in Zürich, on the eve of his 44th birthday.
October 22, 1877:
Salome op.69/8, a song by Johannes Brahms (44) to words of Keller, is performed for the first time, in Karlsruhe.
October 29, 1877:
Minnelied op.71/5, a song for voice and piano by Johannes Brahms (44) to words of Hölty, is performed for the first time, in Hamburg.
October 31, 1877:
Two songs by Johannes Brahms (44) are performed for the first time, in Berlin: Verzagen op.72/4, to words of Lemcke, and Des Liebsten Schwur op.69/4 to traditional words.
November 30, 1877:
Edouard Hanslick writes to Antonín Dvorák (36) that Johannes Brahms (44) has taken a great interest in his music and that he is to be awarded an artist’s stipend of 600 florins.
December 9, 1877:
Two songs by Johannes Brahms (44) are performed for the first time, in Vienna: Geheimnis op.71/3, to words of Candidus, and Im Garten am Seegestade to words of Lemcke.
December 12, 1877:
Antonín Dvorák (36) writes to Johannes Brahms (44) to thank him for his part in securing a state artist’s stipend for Dvorák. He asks Brahms to recommend his Bohemian songs to Brahms’ publisher Fritz Simrock. Brahms will do so immediately.
December 15, 1877:
Two songs by Johannes Brahms (44) are performed for the first time, in Vienna: Lerchengesang op.70/2 to words of Candidus, and Serenade op.70/4 to words of Goethe.
December 30, 1877:
Symphony no.2 by Johannes Brahms (44) is performed for the first time, in the Musikverein, Vienna. It is warmly received.
January 1, 1878:
Antonín Dvorák (36) attempts to see Johannes Brahms (45) in Vienna but Brahms is out of town. Dvorák will write to Brahms asking that he accept the dedication of his String Quartet op.34. See 23 January 1878.
January 18, 1878:
Johannes Brahms (44) begins a tour of mostly the Netherlands with a performance of the First Symphony in Hamburg. His song Alte Liebe op.72/1 to words of Candidus, is performed for the first time.
January 22, 1878:
Mädchenfluch op.69/9, a song by Johannes Brahms (44) to traditional words, is performed for the first time, in Bremen.
January 23, 1878:
Antonín Dvorák (36) writes to Johannes Brahms (44) asking if he may dedicate his String Quartet op.34 to him. Brahms will agree, with some suggestions for improvement.
March 18, 1878:
Willst du, daß ich gehen? op.71/4, a song for voice and piano by Johannes Brahms (44) to words of Lemcke, is performed for the first time, in Hamburg.
April 8, 1878:
Johannes Brahms (44) begins his long-desired tour of Italy.
April 8, 1878:
Three songs by Johannes Brahms (44) are performed for the first time, in Vienna: Tambourliedchen op.69/5, to words of Candidus, Es liebt sich so lieblich im Lenze! op.71/1 to words of Heine, and An den Mond, op.71/2 to words of Simrock.
April 11, 1878:
Mein wundes Herz verlangt op.59/7, a song by Johannes Brahms (46) to words of Groth, is performed for the first time, in Vienna.
May 5, 1878:
Johannes Brahms (44) writes to Simrock advocating the publication of Antonín Dvorák’s (36) music. “The best that a musician can have, Dvorák has...”
October 22, 1878:
O kühler Wald op.72/3, a song for voice and piano by Johannes Brahms (45) to words of Brentano, is performed for the first time, in Breslau.
December 2, 1878:
Unüberwindlich op.72/5, a song by Johannes Brahms (45) to words of Goethe, is performed for the first time, in Hamburg.
December 8, 1878:
Warum ist das Licht gegeben op.74/1, a motet by Johannes Brahms (45), is performed for the first time, in Vienna.
December 12, 1878:
Antonín Dvorák (37) travels from Prague to Vienna where he will make the acquaintance of Johannes Brahms (45), who has already championed his music.
December 15, 1878:
Der Schmied op.19/4, a song by Johannes Brahms (45) to words of Uhland, is performed for the first time, in Basel.
January 1, 1879:
Edvard Grieg (35) meets Johannes Brahms (45) for the first time, in Leipzig. Brahms gives him a handwritten copy of the first four bars of the second movement of his Violin Concerto.
January 1, 1879:
Concerto for violin and orchestra op.77 by Johannes Brahms (45) is performed for the first time, in the Leipzig Gewandhaus by Joseph Joachim conducted by the composer. The audience, which includes George Whitefield Chadwick (24), receives the work warmly but not enthusiastically.
January 12, 1879:
Abendregen op.70/4, a song by Johannes Brahms (45) to words of Keller, is performed for the first time, in Vienna.
March 11, 1879:
Johannes Brahms (45) receives an honorary doctorate from the University of Breslau (Wroclaw) although he does not attend the ceremony. See 4 January 1881.
October 22, 1879:
A Capriccio in b minor for piano op.76/2 by Johannes Brahms (46) is performed for the first time, in Vienna.
October 29, 1879:
Eight piano pieces op.76 by Johannes Brahms (46) are performed completely for the first time, in Berlin. See 22 October 1879.
November 8, 1879:
Sonata for violin and piano no.1 op.78 by Johannes Brahms (46) is performed for the first time, in Bonn.
December 12, 1879:
Variations on a theme by Robert Schumann for piano op.9 by Johannes Brahms (46) is performed for the first time, in Berlin, 25 years after it was composed.
December 16, 1879:
Klage I op.69/1, a song by Johannes Brahms (46) to traditional words, is performed for the first time, in Vienna.
December 17, 1879:
Edward op.75/1 for alto, tenor and piano by Johannes Brahms (46) to anonymous words is performed for the first time, in Vienna.
January 20, 1880:
Two rhapsodies for piano op.79 by Johannes Brahms (46) are performed for the first time, in Krefeld, by the composer.
January 30, 1880:
O Heiland, reiss die Himmel auf op.74/2, a motet for unaccompanied chorus by Johannes Brahms (46) to words of von Spee, is performed for the first time, in Hamburg. This concert begins a month-long tour of German cities ending 3 Feburary in Vienna.
March 7, 1880:
So lass uns Wandern! op.75/3 for soprano, tenor, and piano by Johannes Brahms (46) to traditional Czech words translated by Wenzig is performed for the first time, in Berlin.
April 24, 1880:
Two duets for soprano, alto, and piano by Johannes Brahms (46) are performed for the first time, in Vienna: Die Schwestern op.61/1 to words of Mörike and Hüt du dich! op.66/5 to words from Des knaben Wunderhorn.
May 2, 1880:
A Robert Schumann (†23) memorial sculpted by Adolf von Donndorf is unveiled in Bonn. The music for the three-day event is provided by Johannes Brahms (46) and Joseph Joachim. Clara Schumann (60) is somewhat disappointed. “We could not get to like the relief; the likeness is not bad but it lacks the spiritual expression.”
May 3, 1880:
Books 3 and 4 of the Hungarian Dances WoO1 for piano four hands by Johannes Brahms (46) are performed for the first time, in Mehlem, near Bonn, by the composer and Clara Schumann (60).
December 26, 1880:
Tragic Overture by Johannes Brahms (47) is performed for the first time, in the Musikverein, Vienna. The audience gives it a cool reception.
January 4, 1881:
Academic Festival Overture by Johannes Brahms (47) is performed for the first time, in Breslau (Wroclaw) conducted by the composer.
February 2, 1881:
Der Frühling op.6/2 and Nachwirkung op.6/3, songs by Johannes Brahms (47) to words of Rousseau and Meissner respectively, are performed for the first time, in The Hague, 29 years after they were composed.
February 14, 1881:
Walpurgisnacht op.75/4 for two sopranos and piano by Johannes Brahms (47) to words of Alexis is performed for the first time, in Vienna.
November 9, 1881:
Concerto for piano and orchestra no.2 by Johannes Brahms (48) is performed for the first time, in Budapest, the composer at the keyboard.
December 6, 1881:
Nänie for chorus and orchestra by Johannes Brahms (48) to words of Schiller is performed for the first time, in Zürich, directed by the composer.
December 14, 1881:
An eine Äolsharfe op.19/5, a song by Johannes Brahms (48) to words of Mörike, is performed for the first time, in Strasbourg.
March 13, 1882:
Am Strande op.66/3 for soprano, alto, and piano by Johannes Brahms (48) to words of Hölty is performed for the first time, in Hamburg.
August 25, 1882:
Trio for piano and strings no.2 op.87 and String Quintet no.1 op.88 by Johannes Brahms (49) are performed for the first time, in a semi-private performance at the villa of Prof. Ladislaus Wagner at Altaussee, up the Traun from Ischl facing a mountain called Schönberg. See 29 December 1882.
December 2, 1882:
O Traurigkeit, O Herzelied WoO7, chorale prelude and fugue for organ by Johannes Brahms (49) is performed for the first time, in Vienna.
December 10, 1882:
Gesang des Parzen op.89 for chorus and orchestra by Johannes Brahms (49) to words of Goethe is performed for the first time, in Basel conducted by the composer.
December 20, 1882:
Two songs by Johannes Brahms (49) are performed for the first time, in Strasbourg: Der Kranz op.84/2 to words of Schmidt, and Vergebliches Ständchen op.84/4 to traditional words.
December 29, 1882:
Two chamber works by Johannes Brahms (49) are performed publicly for the first time, in Frankfurt-am-Main: Trio for piano and strings no.2 op.87 and String Quintet no.1 op.88.
January 23, 1883:
Spannung op.84/5, a song by Johannes Brahms (49) to traditional words, is performed for the first time, in Basel.
February 11, 1883:
The middle two movements of the Symphony no.6 by Anton Bruckner (58) are performed for the first time, in Vienna. The audience, which includes Johannes Brahms (49), gives the work a great ovation. The press is mixed. See 26 February 1899.
February 16, 1883:
Spanisches Lied op.6/1 by Johannes Brahms (49) to anonymous words translated by Heyse, is performed for the first time, in Vienna, 31 years after it was composed.
February 23, 1883:
Five songs by Johannes Brahms (49) are performed for the first time, in Vienna: Therese op.86/1 to words of Keller, Feldeinsamkeit op.86/2 to words of Allmers, Nachtwandler op.86/3 to words of Kalbeck, Mädchenlied op.85/3 to traditional words, and In Waldeseinsamkeit op.85/6 to words of Lemcke.
December 2, 1883:
Symphony no.3 by Johannes Brahms (50) is performed for the first time, in the Musikverein, Vienna. The work is a triumph. There is organized hissing by the Wagner Club at the end of every movement but this is drowned out by prolonged applause.
December 4, 1883:
Rondo after C.M. von Weber for piano by Johannes Brahms (50) is performed for the first time, in Vienna.
February 5, 1884:
Two vocal duets by Johannes Brahms (50) are performed for the first time, in Basel: Phänomen op.61/3 to words of Goethe, and Die Boten der Liebe op.61/4 to anonymous Czech words translated by Wenzig.
April 20, 1884:
Johannes Brahms (50) declines the position of head of the concert series and conservatory in Cologne.
May 12, 1884:
Edward Elgar’s (26) Sevillana is performed at the Crystal Palace. It is the first of his music to be heard in London. A few hours later, the Third Symphony of Johannes Brahms (51) is performed for the first time in Britain.
November 19, 1884:
At the suggestion of Hans von Bülow, Richard Strauss (20) writes to Johannes Brahms (51) about his Suite in B flat to ask his opinion.
December 9, 1884:
Four of the Songs and Romances op.93a for unaccompanied chorus by Johannes Brahms (51) are performed for the first time, in Hamburg, conducted by the composer: Der bucklichte Fiedler to anonymous words, O süsser Mai to words of von Arnim, Fahr wohl! to words of Rückert, and Der Falke to anonymous Serbian words translated by Kapper. See 27 January 1885.
December 15, 1884:
Richard Strauss (20) receives an indirect answer from Johannes Brahms (51) through the horn player Gustav Leinhos. “When he gave me back your Suite he spoke very highly of your work, though he had looked in vain for the spring of melody which ought to be overflowing at your age.” See 19 November 1884.
January 9, 1885:
Two songs by Johannes Brahms (51) are performed for the first time, in Vienna: Sapphische Ode op.94/4, to words of Schmidt, and Mädchenlied op.95/6 to Italian words translated by Heyse.
January 27, 1885:
The six Songs and Romances op.93a for unaccompanied chorus by Johannes Brahms (51) to words of Anonymous, Arnim, Rückert, and Goethe are performed completely for the first time, in Krefeld. See 9 December 1884.
January 28, 1885:
Two works by Johannes Brahms (51) are performed for the first time, in Krefeld: O schöne Nacht op.92/1 for vocal quartet to words of Daumer, and Tafellied op.93b for chorus and piano.
January 30, 1885:
Two Songs op.91 for alto, viola, and piano by Johannes Brahms (51) to words of Rückert and Geibel, are performed for the first time, in Krefeld.
February 27, 1885:
Two songs by Johannes Brahms (51) are performed for the first time, in Vienna: Der Tod, das ist die kühle Nacht op. 96/1 to words of Heine, and Wir wandelten, wir zwei zusammen op.96/2 to traditional words.
March 11, 1885:
Three songs from op.44 for unaccompanied chorus by Johannes Brahms (51) to words of Heyse are performed for the first time, in Vienna: Nun stehn die Rose in Blüte op.44/7, Die Berge sind spitz op.44/8, and Am Wildbach die Weiden op.44/9.
April 20, 1885:
Lied aus dem Gedicht “Ivan” op.3/4, a song by Johannes Brahms (51) to words of Bodenstedt, is performed for the first time, in Vienna, 32 years after it was composed.
October 18, 1885:
Richard Strauss (21) makes his debut as solo pianist, in Meiningen, playing the Mozart (†93) Concerto K.491. He also conducts his own f minor symphony. In the audience is Johannes Brahms (52) who is visiting the city for the premiere of his own Fourth Symphony. He offers the young musician (what Strauss calls) a memorable piece of advice on composing.
October 25, 1885:
Symphony no.4 of Johannes Brahms (52) is performed for the first time, in Meiningen conducted by the composer. Upon hearing the symphony, Richard Strauss (21) calls it a “giant work, great in concept and invention, masterful in its form, and yet from A-Z genuine Brahms, in a word, an enrichment of our art.”
November 6, 1885:
Liebe und Frühling op.3/3, a song by Johannes Brahms (52) to words of von Fallersleben, is performed for the first time, in Vienna, 32 years after it was composed.
January 8, 1886:
Five songs by Johannes Brahms (52) are performed for the first time, in Vienna: Meerfahrt op.96/4, to words of Heine, Nachtigall op.97/1 to words of Reinhold, Dort in den Weiden op.97/4 to traditional words, Komm Bald, op.97/5 to words of Groth, and Trennung op.97/6, to traditional words.
February 13, 1886:
An die Tauben op.63/4, a song by Johannes Brahms (52) to words of Schenkendorf, is performed for the first time, in Mannheim.
April 9, 1886:
All meine Herzgedanken op.62/5 for unaccompanied chorus by Johannes Brahms (52) to words of Heyse is performed for the first time, in Hamburg.
April 15, 1886:
Vorschneller Schwur op.95/5, a song by Johannes Brahms (52) to traditional words, is performed for the first time, in Vienna.
October 21, 1886:
Pyotr Ilyich Tchaikovsky (46) confides to his diary about Johannes Brahms (53). “It angers me that this presumptuous mediocrity is declared a genius.” (Wiley, 294)
October 30, 1886:
Beim Abschied op.95/3, a song by Johannes Brahms (53) to words of Halm, is performed for the first time, in Hermannstadt.
November 24, 1886:
Sonata for cello and piano no.2 op.99 by Johannes Brahms (53) is performed for the first time, in the Kleiner Musikverein, Vienna, the composer at the keyboard.
November 26, 1886:
Heimkehr op.7/6, a song by Johannes Brahms (53) to words of Uhland, is performed for the first time, in Vienna, 35 years after it was composed.
December 2, 1886:
Sonata for violin and piano no.2 op.100 by Johannes Brahms (53) is performed for the first time, in the Kleiner Musikverein, Vienna, the composer at the keyboard.
December 20, 1886:
Trio for piano and strings no.3 op.101 by Johannes Brahms (53) is performed for the first time, in Budapest the composer at the keyboard.
February 11, 1887:
Three songs for voice and piano by Johannes Brahms (53) are performed for the first time, in Vienna: Wie Melodien zieht es mir op.105/1, to words of Groth, Das Mädchen spricht op.107/3, and Maienkätzchen op.107/4 to words of von Liliencron.
March 22, 1887:
Bitteres zu sagen denkst du op.32/7, a song by Johannes Brahms (53) to words of Hafis, is performed for the first time, in Vienna, 23 years after it was composed.
March 26, 1887:
O liebliche Wangen op.47/4, a song by Johannes Brahms (53) to words of Flemming, is performed for the first time, in Vienna.
September 21, 1887:
Joseph Joachim and Robert Hausmann meet with Johannes Brahms (54) in Baden-Baden, together with Clara Schumann (68), to run through the new Double Concerto. Clara sees it as a reconciliation. It is the first time Brahms and Joachim have seen each other in years. The concerto is deemed a success.
October 16, 1887:
Johannes Brahms (54) and Clara Schumann (68) return all the letters that they have written to each other over the course of 35 years.
October 18, 1887:
Concerto for violin, cello, and orchestra op.102 by Johannes Brahms (54) is performed for the first time, in Cologne conducted by the composer.
January 1, 1888:
At the home of the violinist Adolf Brodsky in Leipzig, Pyotr Ilyich Tchaikovsky (47) makes the acquaintance of Johannes Brahms (54). Mrs. Brodsky will remember, “It would be difficult to find two men more unlike. Tchaikovsky...had something elegant and refined in his whole bearing and the greatest courtesy of manner. Brahms with his short, rather square figure and powerful head, was an image of strength and energy; he was an avowed foe to all so-called ‘good manners.’” Later, Edvard (44) and Nina Grieg arrive. They have met Brahms before but never Tchaikovsky, although the Russian is an admirer of Grieg’s music. “It was more like a children’s party than a gathering of great composers.”
January 25, 1888:
Dein blaues Auge hält so still op.59/8, a song by Johannes Brahms (54) to words of Groth, is performed for the first time, in Vienna.
February 15, 1888:
Liebesglut op.47/2, a song by Johannes Brahms (54) to words of Hafis, is performed for the first time, in Vienna.
February 27, 1888:
Ständchen op.106/1, a song for voice and piano by Johannes Brahms (54) to words of Kugler, is performed for the first time, in Vienna.
March 6, 1888:
Klage op.105/3, a song for voice and piano by Johannes Brahms (54), is performed for the first time, in Vienna.
June 26, 1888:
After viewing a performance of Die Fledermaus in Bern, Johannes Brahms (55) writes an admiring letter to “Meister” Johann Strauss (62).
October 31, 1888:
The eleven Zigeunerlieder op.103 for vocal quartet and piano by Johannes Brahms (55) to traditional Hungarian words translated by Conrat are performed for the first time, in the Singakademiesaal, Berlin. Also premiered is Brahms’ song for voice and piano, Salamander op.107/2, to words of Lemcke.
November 30, 1888:
Auf dem Kirchhofe op.105/4, a song for voice and piano by Johannes Brahms (55) to words of von Liliencron, is performed for the first time, in Vienna.
December 5, 1888:
Two songs for voice and piano by Johannes Brahms (55) are performed for the first time, in Vienna: Verrat op.105/5 to words of Lemcke, and Auf dem See op.106/2 to words of Reinhold.
December 21, 1888:
Sonata for violin and piano no.3 op.108 by Johannes Brahms (55) is performed for the first time, in Budapest, the composer at the keyboard.
January 4, 1889:
Two songs for voice and piano by Johannes Brahms (55) are performed for the first time, in Frankfurt-am-Main: Immer leiser wird mein Schlummer op.105/2, to words of Lingg, and Mädchenlied op.107/5 to words of Heyse.
January 5, 1889:
The Double Concerto of Johannes Brahms (55) is given its American premiere in Chickering Hall, New York. The soloists are Max Bendix and Victor Herbert (29).
January 18, 1889:
Ständchen op.14/7, a song by Johannes Brahms (55) to traditional words, is performed for the first time, 31 years after it was composed.
January 26, 1889:
Meine Lieder op.106/4, a song for voice and piano by Johannes Brahms (55) to words of Frey, is performed for the first time, in Vienna.
February 4, 1889:
Two works for vocal quartet and piano by Johannes Brahms (55) are performed for the first time, in Frankfurt: Spätherbst op.92/2 to words of Allmers, and Warum? op.92/4 to words of Goethe.
March 14, 1889:
Two songs by Johannes Brahms (55) are performed for the first time, in Vienna: Vom Strande op.69/6, to anonymous words, and Das Mädchen op.95/1 to traditional words.
March 29, 1889:
Two works for unaccompanied chorus by Johannes Brahms (55) are performed for the first time, in Hamburg: Nachtwache op.104/2 to words of Rückert, and Im Herbst op.104/5 to words of Groth. See 3 April 1889.
April 3, 1889:
The Five Songs op.104 for unaccompanied choir by Johannes Brahms (55) to words of Groth, Kalbeck, Rückert, and anonymous are performed completely for the first time, in Vienna. See 29 March 1889.
May 23, 1889:
Johannes Brahms (56) is awarded the freedom of the city of Hamburg.
June 6, 1889:
Emperor Franz Joseph II of Austria decrees for Johannes Brahms (56) the Komturkreuz of the Order of Leopold.
September 9, 1889:
Fest-und Gedenksprüche op.109 for unaccompanied choir by Johannes Brahms (56) to words of the Bible, are performed for the first time, as part of celebrations of the Hamburg Exhibition of Trade and Industry.
November 26, 1889:
In a letter to Cosima Wagner, Richard Strauss (25) writes about the Symphonie fantastique, “Next to such a gigantic work, how wretched appears Ein Deutsches Requiem by the musically abstinent temperance society member Brahms (56).”
November 30, 1889:
Die Meere op.20/3 for soprano, alto, and piano by Johannes Brahms (56) to traditional Italian words translated by Müller is performed for the first time, in Munich.
January 15, 1890:
The motet Wenn wir in höchsten Nöten sein op.110/3 by Johannes Brahms (56) is performed for the first time, in Hamburg. See 13 March 1890.
January 18, 1890:
Two songs by Johannes Brahms (56) are performed for the first time, in Vienna: Der Überläufer op.48/2, and Der Jäger op.95/4 to words of Halm.
March 13, 1890:
The first complete performance of the Three Motets op.110 for unaccompanied chorus by Johannes Brahms (56) to words of Eber, anonymous, and the Bible, takes place in Cologne.
November 11, 1890:
Quintet for strings no.2 op.111 by Johannes Brahms (57) is performed for the first time, in Bösendorfersaal, Vienna.
December 16, 1890:
Johannes Brahms (57) attends a performance of Don Giovanni conducted by Gustav Mahler (30) in Budapest. Brahms is so delighted by what he hears he asks to meet the conductor. They spend the rest of the evening together.
December 21, 1890:
The third version of Symphony no.3 by Anton Bruckner (66) is performed for the first time, in Vienna. The composer is both booed and cheered by an audience which contains a greatly impressed Jean Sibelius (25). Outside the theatre, Sibelius gets into a fight with some Brahms (57) supporters and injures his foot. See 16 December 1887.
March 4, 1891:
Geleit op.41/3 for unaccompanied chorus by Johannes Brahms (57) to words of Lemcke is performed for the first time, in Vienna.
March 12, 1891:
Clara Schumann (71) gives the last public performance of her career, in a chamber music concert at the Frankfurt museum. She plays the Haydn Variations of Johannes Brahms (57).
November 27, 1891:
Liebe und Frühling op.3/2, a song by Johannes Brahms (58) to words of von Fallersleben, is performed for the first time, in Vienna, 37 years after it was composed.
December 12, 1891:
Two chamber works including clarinet by Johannes Brahms (58) are performed for the first time, in the Saal der Singakademie, Berlin: Trio for clarinet, cello, and piano op.114 and Quintet for clarinet and strings op.115. The composer performs the piano part in the trio. The response is overwhelmingly positive.
December 17, 1891:
Wie die Wolke nach Sonne op.6/5, a song by Johannes Brahms (58) to words of von Fallersleben, is performed for the first time, in Vienna, 38 years after it was composed.
February 23, 1892:
Responding to a request from Charles Villiers Stanford (39) that Johannes Brahms (58) allow Cambridge University to confer an honorary doctorate on him in June 1893, Brahms sends his “thanks but no thanks.” At that season, he would rather be “walking beside some lovely Italian lake.” He suggests that Stanford should do the same.
February 25, 1892:
Nächtens op.112/2, a vocal quartet by Johannes Brahms (58) to words of Kugler, is performed for the first time, in Vienna.
October 5, 1892:
Johannes Brahms (59) and Joseph Joachim give a joint concert on the second day of a three-day festival dedicating the new Bechstein Hall in Berlin.
November 21, 1892:
The Vier Zigeunerlieder op.112/3-6 for vocal quartet and piano by Johannes Brahms (59) are performed for the first time, in Hamburg.
December 18, 1892:
The “Schalk” version of Symphony no.8 by Anton Bruckner (68) is performed for the first time, in Vienna. Present are members of the royal family, Crown Princess Stephanie and Archduchess Valerie, as well as Johannes Brahms (59), Johann Strauss (67), Hugo Wolf (32), and Siegfried Wagner. It is among Bruckner’s most successful nights in Vienna. The press is almost universal in their praise. See 22 November 1892, 5 July 1939, and 2 September 1973.
January 2, 1893:
So stehn wir, ich und meine Weide op.32/8, a song by Johannes Brahms (59) to words of Hafis, is performed for the first time, in Vienna, 29 years after it was composed.
January 30, 1893:
Piano works by Johannes Brahms (59) are performed for the first time: Fantasias op.116/1-3 in Vienna, and the Intermezzi op.117/1-2 in London.
February 18, 1893:
Fantasia op.116/7 for piano by Johannes Brahms (59) is performed for the first time, in Vienna.
March 11, 1893:
Freiwillige her! op.41/2 for chorus by Johannes Brahms (59) to words of Lemcke is performed for the first time, in Vienna.
March 15, 1893:
Fantasia op.116/6 for piano by Johannes Brahms (59) is performed for the first time, in St. James’ Hall, London.
March 22, 1893:
Die Liebende schreibt op.47/5, a song by Johannes Brahms (59) to words of Goethe, is performed for the first time, in Vienna.
May 13, 1893:
Johannes Brahms (60) receives the gold medal of the Gesellschaft der Musikfreunde, Vienna. He tells them, “Thirty years ago I would have found the joy and responsibility to make myself worthy of such a distinction. But now it is too late.”
November 27, 1893:
Intermezzo op.117/3 for piano by Johannes Brahms (60) is performed for the first time, in Hamburg.
January 22, 1894:
Piano Pieces op.118/3, 5 and op.119/2, 4, 1 or 3 by Johannes Brahms (60) are performed for the first time, in St. James’ Hall, London. See 7 March 1894.
March 7, 1894:
The Piano Pieces op.118 and 119 by Johannes Brahms (60) are performed completely for the first time, in St. James’ Hall, London. See 22 January 1894.
April 25, 1894:
Mit vierzig Jahren ist der Berg ersteigen op.94/1, a song by Johannes Brahms (60) to words of Rückert, is performed for the first time, in Hamburg.
May 28, 1894:
Däm’rung senkte sich von oben op.59/1, a song by Johannes Brahms (61) to words of Goethe, is performed for the first time, in Hamburg, 24 years after it was composed.
September 19, 1894:
The two Sonatas for clarinet and piano op.120 by Johannes Brahms (61) are performed for the first time, privately in Berchtesgaden. See 8 January 1895 and 11 January 1895.
November 7, 1894:
As part of a sojourn in Germany and Austria, Carl Nielsen (29) visits Johannes Brahms (61).
January 8, 1895:
Sonata for clarinet and piano op.120/2 by Johannes Brahms (61) is performed publicly for the first time, in Bösendorfersaal, Vienna. See 19 September 1894.
January 11, 1895:
Sonata for clarinet and piano op.120/1 by Johannes Brahms (61) is performed publicly for the first time, in Bösendorfersaal, Vienna. See 19 September 1894.
February 2, 1895:
Die Braut op.44/11 for female chorus by Johannes Brahms (61) to words of Müller, is performed for the first time, in Vienna.
February 21, 1895:
Klosterfräulein op.61/2 for soprano, alto, and piano by Johannes Brahms (61) to words of Kerner is performed for the first time, in Merseburg.
March 6, 1895:
Trennung op.14/5, a song by Johannes Brahms (61) to traditional words, is performed for the first time, in Vienna, 37 years after it was composed.
May 21, 1895:
Sommerabend op.84/1, a song by Johannes Brahms (62) to words of Schmidt, is performed for the first time, in Hamburg.
January 10, 1896:
Johannes Brahms (62) conducts his two piano concertos in Berlin. It is the last time he will conduct.
February 4, 1896:
Sommerabend op.85/1, a song by Johannes Brahms (62) to words of Heine, is performed for the first time, in Vienna.
March 20, 1896:
Regenlied op.59/3, a song by Johannes Brahms (62) to words of Groth, is performed for the first time, in Vienna, 26 years after it was composed.
April 9, 1896:
Max Reger (23) sends his Suite in e minor for organ op.16 to Johannes Brahms (62) in the hope of receiving encouraging words. He also asks for Brahms’ permission to dedicate a symphony to him. Brahms responds favorably to both.
May 24, 1896:
The earthly remains of Clara Wieck Schumann are laid to rest in the Alter Friedhof, Bonn, next to those of her husband Robert (†39). Large numbers attend, including numerous children and grandchildren and other family, and Johannes Brahms (63).
September 3, 1896:
At Karlsbad, Johannes Brahms (63) is diagnosed with liver cancer. The doctor does not tell his patient because Brahms has instructed him not to reveal any bad news to him.
October 14, 1896:
A funeral in memory of Anton Bruckner takes place in the Karlskirche, Vienna. Hugo Wolf (36) is denied entry as he has no ticket. Johannes Brahms (63) arrives late, stands at the door and mumbles what is perceived to be “Never mind-soon my coffin” and leaves. The remains are taken to the train station for transportation to St. Florian.
November 9, 1896:
Vier ernste Gesänge op.121 for voice and piano by Johannes Brahms (63) to words from the Bible, are performed publicly for the first time, in Bösendorfersaal, Vienna.
February 18, 1897:
Johannes Brahms (63) suffers a slight stroke which stiffens the left side of his face. This will pass in March.
March 7, 1897:
Johannes Brahms (63) appears for the last time at a performance of his music, the Fourth Symphony, at the Gesellschaft der Musikfreunde, Vienna. Every movement is applauded. Afterwards, the composer stands in the director’s box to thunderous applause.
March 13, 1897:
Die Göttin der Vernunft, an operetta by Johann Strauss (71) to words of Willner and Buchbinder, is performed for the first time, in the Theater an der Wien, Vienna. One audience member, Johannes Brahms (63), is so weak that he must be carried home after the second act. It is the last public appearance Brahms will ever make.
March 27, 1897:
One day after the 70th anniversary of the death of Beethoven, Johannes Brahms (63) takes to his bed with liver cancer.
April 3, 1897:
08:30 Johannes Brahms dies of liver cancer at his home at Karlsgasse 4, Vienna, Austro-Hungarian Empire, aged 63 years, ten months, and 27 days.
April 6, 1897:
After an elaborate funeral in the Protestant church of Vienna, including many musical figures from throughout Europe and thousands of mourners, the earthly remains of Johannes Brahms are laid to rest in the Zentral Friedhof of Vienna near those of Beethoven (†70) and Schubert (†68). In Hamburg, the composer’s birthplace, ships lower their flags to half-mast.
April 3, 1898:
On the first anniversary of his death, the Johannes Brahms Monument Committee issues an appeal that a Brahms monument be built in Vienna.
June 6, 1899:
The cortege carrying the body of Johann Strauss travels from his house in Ingelgaße, past the Theater an der Wien, the Musikverein, and the court opera. His mortal remains are laid to rest in the Zentralfriedhof near those of Beethoven (†72), Schubert (†70) and Brahms (†2). Among the mourners is Gustav Mahler (38).
April 24, 1902:
Eleven Chorale Preludes for organ op.122 by Johannes Brahms (†5) are performed for the first time, in the Kaiser Wilhelm Gedächtniskirche, Berlin.
March 14, 1918:
Hundreds of police are stationed in and around Carnegie Hall, New York as the Boston Symphony Orchestra gives a concert directed by Karl Muck. Dr. Muck has been criticized for refusing to conduct The Star-Spangled Banner (which is untrue) and demands have been made to prove that he is not a German citizen. Muck does conduct The Star-Spangled Banner followed by the Third Symphony of Johannes Brahms (†20). Founder of the BSO, Henry Higginson, then appears on stage and presents the audience with proof of Muck’s Swiss citizenship.
November 15, 1929:
Two Preludes and Fugues for organ by Johannes Brahms (†32) are performed for the first time, in Berlin, 72 years after they were composed.
January 18, 1930:
The National Broadcasting Company begins a series of syndicated programs featuring the Theremin. In the opening episode, the inventor, Lev Sergeyevich Termen (Leon Theremin) (33), plays music of Rakhmaninov (56), Brahms (†33) and Chopin (†78).
April 26, 1941:
Leonard Bernstein (22) conducts his first broadcast performance, directing the Curtis Institute Orchestra in the A major Serenade of Johannes Brahms (†44).
April 14, 1945:
The Berlin Philharmonic and the Singakademie perform Ein deutsches Requiem by Johannes Brahms (†48) in the ruins of Berlin Philharmonic Hall.
February 6, 1946:
After playing a Brahms (†48) concerto in New York, pianist Claudio Arrau invites the conductor, Leonard Bernstein (27) to his birthday party. There he meets a young Chilean, Felicia Montealegre y Cohn, and there, according to Bernstein, “we fell in love.” See 9 September 1951.
October 18, 1983:
A setting of the Kyrie by Johannes Brahms (†86) WoO 17 is performed for the first time, in Vienna 127 years after it was composed.